I'm a guitaraholic on the road to recovery. Just kidding. I'm on the road to buy another guitar. I'm also most likely looking for another pedal, cord, speaker, amp, pick, strap, case, rack mount gear, lighting and maybe even some recording or production software.
I can has...
Many of you are probably familiar with I Can Has Cheezburger. If you're not, it's a site where pictures of animals (normally cats) are portrayed with funny / catchy slogans with simple misspellings that make it even better. That's often referred to as lolspeak.
Today, Michael (sitting across the square room from me) came across one of their tools for making your own and put together this image:
Very nice. Now, we just need to get a blog set up for properpet.com to start putting those on.
Last week, I mentioned I had another audition. It went fine, I suppose. I was asked to come back next week and they were all pretty excited to have "low end" in their sound again.
That's the good stuff. Now for the not so good.
I wasn't a fan of anything they were playing. For me to really be happy in a band, I need to first off be a fan. It just wasn't easy to listen to with the songs changing keys from D minor to F minor to Eb minor to C# minor to E minor to C minor all in the same song. Yes, that's everything chromatically from C to F in one song done as key changes. The rhythm guitar and keys changed that much, but the lead seemed to be stuck in the same scale the whole day.
I didn't feel any of it as a result. I admit, I sometimes write stuff that's sketchy theory wise, but it's usually for a reason (adding some tension, transitioning, etc.) and not just because we had played four bars in one key already so it was time to change. Mark taught …
As you can guess, learning every Maiden tune ever recorded has been keeping me quite busy. I'm enjoying the challenge of it as well as some of the new theory I've picked out of their music.
Yes, I said new theory. Not new as in "OMG, nobody has ever seen this before", but new as in I hadn't used certain chord progressions with 8ths and 6ths together in that manner before. I'm certainly enjoying the different approach to things.
Probably the toughest part, though, is the shared solos. Moving one guy from lead to rhythm without missing a beat on the rhythm or the lead is tricky to say the least. Again, I'm up for the challenge, but it's certainly something I haven't tried in the past.
I guess what I'm saying is that I'm intrigued by every tune I play and look forward to what I can learn in the next song on the album... and then the next album... and the next... playing with a purpose is good.
Once again, I fell into a trap. I saw something fun and just had to have it.
While I don't have a specific use, I believe these will be great on some of the songs I'm recording recently. I'm doing one with keys, a bit of guitar, and a cello, so some congas seem like they'll be a great addition to that mix. Full drum set seems like it could be overkill for a pretty simple song.
The more I toy around with them, the more ideas I get. Sometimes, it's good to think outside of the "norm".